INGRUN’S
THE VON HOLLMES COLLECTION
FEATURED ARTIST BY INGRUN
GERHARD RICHTER
ANSELM KIEFER
FEATURED ARTIST BY INGRUN
FLORIAN MEISENBURG
ANSELM KIEFER
MAX ERNST
GUSTAV KLIMT
FLORIAN MEISENBURG
From the series: “San Pellegrino (The taste of metal in water)”, 2018 Oil, white gesso, transparent gesso on canvas 96 × 84 in 243.8 × 213.4 cm
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With a subliminal and poetic visual language, Florian Meisenberg paints weightless, colorful objects that are often presented on unstretched, flag-like canvases. Usually painted with oil on untreated canvas, Meisenberg’s paintings are casually suspended from the wall or hung on small cornices, ultimately subverting their pictoriality.
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Ghebaly Gallery is pleased to present Florian Meisenberg, The Taste of Metal in Water, the New York-based artist’s first exhibition with the gallery. The show, a body of new paintings in a sculptural sound installation, unspools like a vivid session of lucid dreaming. Metal pipes slice the space into particular trajectories.
ANSELM KIEFER
Velimir Chlebnikov, 2004 30 paintings: oil, emulsion, acrylic, lead and mixed media on canvas 75 × 130 in 190.5 × 330.2 cm
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Anselm Kiefer critically engages with myth and memory, referencing totems of German culture and collective history. “Germans want to forget [the past] and start a new thing all the time, but only by going into the past can you go into the future,” he says. Kiefer's epic-scaled, dense sculptures and paintings are often exposed to elements like acid and fire, and incorporate materials such as lead, burned books, concrete, thorny branches, ashes, and clothing; famed critic and historian Simon Schama has described his work as “heavy-load maximalism.”
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MASS MoCA is one of the liveliest (and largest) centers for making, presenting, and enjoying the best art and music of our time, housed on a restored 19th-century factory campus.
MAX ERNST
Clouds, Sun and Sea, 1952 Oil on Masonite 13 2/5 × 19 3/10 in 34 × 48.9 cm
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Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique.
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Max Ernst’s Clouds, Sun and Sea is a captivating and fiery dream-like landscape painted in 1952 while the artist was living in Sedona, Arizona. Following the dissolution of his third marriage to collector and gallerist Peggy Guggenheim and his move to New York in 1941, Ernst married fellow artist Dorothea Tanning in 1946, moving out west that same year, where the duo would be based until 1953.
GUSTAV KLIMT
Bridal Progress [Gustav Klimt An Aftermath], 1931 Collotype 18 × 18 in 45.7 × 45.7 cm
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Gustav Klimt is best known for his opulently gilded art nouveau portraits of women that epitomize fin-de-siècle Vienna. His Symbolist pastiches of pale nudes, allegorical gardens and erotic content served as the basis for many American psychedelic poster designs in the 1960s.
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Jason Jacques Gallery is the preeminent purveyor of late 19th and early 20th century European ceramics, and a driver of important design and ceramic art. Gallery principal Jason Jacques and director Jason T. Busch mount exhibitions throughout the year at the 73rd Street and Madison Avenue gallery, in addition to participating in design fairs in Miami, San Francisco, Dallas, Maastricht, and New York.
GERHARD RICHTER
Bagdad I, 2014 Chromogenic color print mounted on aluminum 22 1/2 × 27 1/2 in 57.2 × 69.9 cm
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Gerhard Richter is known for a prolific and stylistically varied exploration of the medium of painting, often incorporating and exploring the visual effects of photography. “I like everything that has no style: dictionaries, photographs, nature, myself and my paintings,” he says. “Because style is violent, and I am not violent.”
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Founded in 2000, Galerie d’Orsay has rapidly become one of the best known and respected galleries on Newbury Street, Boston for its premiere collection. We feature works by preeminent Old Masters, Impressionists, and Modern and Contemporary artists.
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Julie Mehretu’s work is about layers: the physical layering of images, marks, and mediums, and the figurative layering of time, space, place, and history. Working in a large scale, Mehretu draws on the 21st-century city for inspiration, transferring its energy into her gestural sweeps of paint and built-up marks in ink and pencil—often transposed from projections—and condensing seemingly infinite urban narratives, architectural views, and street plans into single unified compositions.
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Marlborough Gallery was founded in London in 1946 and is widely recognized as one of the world's leading modern and contemporary art dealers. Marlborough has an international presence with major galleries and offices in Madrid and Barcelona to complement its long established venues in New York and London. Marlborough Graphics publishes editions with both gallery and non-gallery artists in various media such as etching, photogravure, silkscreen and woodcut.
JULIE MEHRETU
The Residual, 2007 Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing 40 3/4 × 50 1/4 in 103.5 × 127.6 cm Edition of 25
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Donald Sultan’s large-scale still life paintings are filled with rich iconography—provocative objects, like bulbous fruits, set against a tar-black background. Although primarily classified as a still lifes, Sultan maintains that his works (despite their representational objects—flowers, lemons, eggs, buttons) are first and foremost abstract.
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Established in 1984, the Serge Sorokko Gallery has built a solid reputation on its fine collection of post-war and contemporary art by internationally recognized artists. Located in the heart of Union Square in downtown San Francisco, the gallery features a range of original work - from painting and sculpture to works on paper and photography.
DONALD SULTAN
Six Aqua Poppies July 3 2004, 2004 Flock, enamel, tar and spackle on tile over masonite 96 × 144 in 243.8 × 365.8 cm
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Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor.
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The Kunstmuseum Basel is home to one of the largest and oldest public museum collections in Europe. It possesses works spanning from the early fifteenth century to the present.
JACKSON POLLOCK
Number 34, 1949 Oil and enamel on white paperboard mounted on Masonite 22 × 30 1/2 in 55.9 × 77.5 cm
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