OLIVIA'S
THE WANE COLLECTION
FEATURED ARTIST BY OLIVIA
JULIE MEHRETU
BARRY XBALL
KARA WALKER
CHRIS OFILI
FEATURED ARTIST BY OLIVIA
JULIE MEHRETU
BARRY XBALL
KARA WALKER
CHRIS OFILI
JULIE MEHRETU
The Residual, 2007 Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing 40 3/4 × 50 1/4 in 103.5 × 127.6 cm Edition of 25
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Artsy
ABOUT ARTIST
Specializing in work built up upon layers, Mehretu draws her energy from modern city life. Her works are at a large scale and the gestural marks are meant to tell an infinite number of narratives about the grungy cities dotting the planet.
ABOUT GALLERY
Most recently spotted in Performa, which is a show that features works using twentieth century methods in the twenty-first century to create all kinds of unique and modern art.
JULIE MEHRETU
The Residual, 2007 Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing 40 3/4 × 50 1/4 in 103.5 × 127.6 cm Edition of 25
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Artsy
Email to art@jespionne.com
BARRY X BALL
Purity in Iranian Translucent Pink Onyx, The New Gallery — Palazzo Mansi, Lucca, 2012-2014 Manipulated Digital Photograph, Epson Stylus Pro 3880 archival inkjet print on Slickrock Metallic Pearl 260 paper mounted on aluminum with 1-ply tagboard interlayer 23 1/8 × 15 3/8 in 58.7 × 39.1 cm
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Artsy
ABOUT ARTIST
Using a wedded technique of contemporary photography and traditional sculpting methods, Ball replicates works and gives them a breath of new life. His goal is to perfect already classic artworks into a new medium, giving them a unique air.
ABOUT GALLERY
This beautiful piece was most recently seen in a 2014 art show held by Ball himself, featuring his stunning sculptures.
BARRY X BALL
Purity in Iranian Translucent Pink Onyx, The New Gallery — Palazzo Mansi, Lucca, 2012-2014 Manipulated Digital Photograph, Epson Stylus Pro 3880 archival inkjet print on Slickrock Metallic Pearl 260 paper mounted on aluminum with 1-ply tagboard interlayer 23 1/8 × 15 3/8 in 58.7 × 39.1 cm
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SHOPOFFERED BY
Artsy
Email to art@jespionne.com
KARA WALKER
Resurrection Story Without Patrons, 2017 Etching with aquatint, sugar-lift, spit-bite and dry-point on paper 39 3/4 × 49 in 101 × 124.5 cm
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Artsy
ABOUT ARTIST
Kara Walker specializes in work presented in silhouettes, dealing with slavery and racism in the pre-Civil War era of America. Despite the dark nature of her works, she often integrates humor so the viewer can engage themselves, whether it be nervous laughter or a full, honest humor experience.
ABOUT GALLERY
Resurrection Story Without Patrons was most recently spotted in the solo show Sikkema Jenkins and co., which specializes in finding all kinds of astounding artworks per season.
KARA WALKER
Resurrection Story Without Patrons, 2017 Etching with aquatint, sugar-lift, spit-bite and dry-point on paper 39 3/4 × 49 in 101 × 124.5 cm
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Artsy
Email to art@jespionne.com
CHRIS OFILI
Afro Lunar Lovers I, 2003 Giclée print in colours, with embossing and gold leaf, on wove paper, the full sheet. 19 3/10 × 12 1/2 in 49 × 31.8 cm Edition 296/350 + 70AP
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Artsy
ABOUT ARTIST
Olifi, hailing from Britain, draws upon several sources of inspiration ranging from religious symbols, popular culture, and artistic influences. He attempts to capture his Nigerian heritage through multimedia works to show the exoticism of stereotypes of the culture.
ABOUT GALLERY
Olifi’s work will be seen next at the Kind of Blue art show, which specializes in color-coordinated works to emulate jazz music visually.
CHRIS OFILI
Afro Lunar Lovers I, 2003 Giclée print in colours, with embossing and gold leaf, on wove paper, the full sheet. 19 3/10 × 12 1/2 in 49 × 31.8 cm Edition 296/350 + 70AP
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SHOPOFFERED BY
Artsy
Email to art@jespionne.com
DAN ZELLER
Neutral Management, 2007 Ink and acrylic on paper 13 1/2 × 11 in 33 × 27.9 cm
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OFFERED BY
Artsy
ABOUT ARTIST
Daniel Zeller’s obsessively layered paintings and drawings exploit the visual and compositional potentials of texture and line. Using only graphite or ink and acrylic paint on paper, Zeller is grounded in traditional media, but his insistence on a limited range of materials encourages him to push their compositional limits.
ABOUT GALLERY
Michel Soskine Inc. was founded in 1984 in New York and in 2005 expanded opening a new gallery space in Madrid, Spain. The gallery specializes in 20th and 21st century art.
DAN ZELLER
Neutral Management, 2007 Ink and acrylic on paper 13 1/2 × 11 in 33 × 27.9 cm
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Artsy
Email to art@jespionne.com
JULIE MEHRETU
The Residual, 2007 Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing 40 3/4 × 50 1/4 in 103.5 × 127.6 cm Edition of 25
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OFFERED BY
Artsy
ABOUT ARTIST
Julie Mehretu’s work is about layers: the physical layering of images, marks, and mediums, and the figurative layering of time, space, place, and history. Working in a large scale, Mehretu draws on the 21st-century city for inspiration, transferring its energy into her gestural sweeps of paint and built-up marks in ink and pencil—often transposed from projections—and condensing seemingly infinite urban narratives, architectural views, and street plans into single unified compositions.
ABOUT GALLERY
Marlborough Gallery was founded in London in 1946 and is widely recognized as one of the world's leading modern and contemporary art dealers. Marlborough has an international presence with major galleries and offices in Madrid and Barcelona to complement its long established venues in New York and London. Marlborough Graphics publishes editions with both gallery and non-gallery artists in various media such as etching, photogravure, silkscreen and woodcut.
JULIE MEHRETU
The Residual, 2007 Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing 40 3/4 × 50 1/4 in 103.5 × 127.6 cm Edition of 25
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SHOPOFFERED BY
Artsy
Email to art@jespionne.com
DONALD SULTAN
Six Aqua Poppies July 3 2004, 2004 Flock, enamel, tar and spackle on tile over masonite 96 × 144 in 243.8 × 365.8 cm
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Artsy
ABOUT ARTIST
Donald Sultan’s large-scale still life paintings are filled with rich iconography—provocative objects, like bulbous fruits, set against a tar-black background. Although primarily classified as a still lifes, Sultan maintains that his works (despite their representational objects—flowers, lemons, eggs, buttons) are first and foremost abstract.
ABOUT GALLERY
Established in 1984, the Serge Sorokko Gallery has built a solid reputation on its fine collection of post-war and contemporary art by internationally recognized artists. Located in the heart of Union Square in downtown San Francisco, the gallery features a range of original work - from painting and sculpture to works on paper and photography.
DONALD SULTAN
Six Aqua Poppies July 3 2004, 2004 Flock, enamel, tar and spackle on tile over masonite 96 × 144 in 243.8 × 365.8 cm
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Artsy
Email to art@jespionne.com
JACKSON POLLOCK
Number 34, 1949 Oil and enamel on white paperboard mounted on Masonite 22 × 30 1/2 in 55.9 × 77.5 cm
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Artsy
ABOUT ARTIST
Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor.
ABOUT GALLERY
The Kunstmuseum Basel is home to one of the largest and oldest public museum collections in Europe. It possesses works spanning from the early fifteenth century to the present.
JACKSON POLLOCK
Number 34, 1949 Oil and enamel on white paperboard mounted on Masonite 22 × 30 1/2 in 55.9 × 77.5 cm
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Artsy
Email to art@jespionne.com
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