OLIVIA'S

THE WAYNE COLLECTION

JULIE MEHRETU

The Residual, 2007
Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing
40 3/4 × 50 1/4 in
103.5 × 127.6 cm
Edition of 25

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OFFERED BY

Artsy

ABOUT ARTIST

Specializing in work built up upon layers, Mehretu draws her energy from modern city life. Her works are at a large scale and the gestural marks are meant to tell an infinite number of narratives about the grungy cities dotting the planet.

ABOUT GALLERY

Most recently spotted in Performa, which is a show that features works using twentieth century methods in the twenty-first century to create all kinds of unique and modern art.

JULIE MEHRETU

The Residual, 2007
Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing
40 3/4 × 50 1/4 in
103.5 × 127.6 cm
Edition of 25

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SHOP

OFFERED BY

Artsy

BARRY X BALL

Purity in Iranian Translucent Pink Onyx, The New Gallery — Palazzo Mansi, Lucca, 2012-2014
Manipulated Digital Photograph, Epson Stylus Pro 3880 archival inkjet print on Slickrock Metallic Pearl 260 paper mounted on aluminum with 1-ply tagboard interlayer
23 1/8 × 15 3/8 in
58.7 × 39.1 cm

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OFFERED BY

Artsy

ABOUT ARTIST

Using a wedded technique of contemporary photography and traditional sculpting methods, Ball replicates works and gives them a breath of new life. His goal is to perfect already classic artworks into a new medium, giving them a unique air.

ABOUT GALLERY

This beautiful piece was most recently seen in a 2014 art show held by Ball himself, featuring his stunning sculptures.

BARRY X BALL

Purity in Iranian Translucent Pink Onyx, The New Gallery — Palazzo Mansi, Lucca, 2012-2014
Manipulated Digital Photograph, Epson Stylus Pro 3880 archival inkjet print on Slickrock Metallic Pearl 260 paper mounted on aluminum with 1-ply tagboard interlayer
23 1/8 × 15 3/8 in
58.7 × 39.1 cm

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OFFERED BY

Artsy

KARA WALKER


Resurrection Story Without Patrons, 2017
Etching with aquatint, sugar-lift, spit-bite and dry-point on paper
39 3/4 × 49 in
101 × 124.5 cm

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Artsy

ABOUT ARTIST

Kara Walker specializes in work presented in silhouettes, dealing with slavery and racism in the pre-Civil War era of America. Despite the dark nature of her works, she often integrates humor so the viewer can engage themselves, whether it be nervous laughter or a full, honest humor experience.

ABOUT GALLERY

Resurrection Story Without Patrons was most recently spotted in the solo show Sikkema Jenkins and co., which specializes in finding all kinds of astounding artworks per season.

KARA WALKER


Resurrection Story Without Patrons, 2017
Etching with aquatint, sugar-lift, spit-bite and dry-point on paper
39 3/4 × 49 in
101 × 124.5 cm

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OFFERED BY

Artsy

CHRIS OFILI

Afro Lunar Lovers I, 2003
Giclée print in colours, with embossing and gold leaf, on wove paper, the full sheet.
19 3/10 × 12 1/2 in
49 × 31.8 cm
Edition 296/350 + 70AP

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Artsy

ABOUT ARTIST

Olifi, hailing from Britain, draws upon several sources of inspiration ranging from religious symbols, popular culture, and artistic influences. He attempts to capture his Nigerian heritage through multimedia works to show the exoticism of stereotypes of the culture.

ABOUT GALLERY

Olifi’s work will be seen next at the Kind of Blue art show, which specializes in color-coordinated works to emulate jazz music visually.

CHRIS OFILI

Afro Lunar Lovers I, 2003
Giclée print in colours, with embossing and gold leaf, on wove paper, the full sheet.
19 3/10 × 12 1/2 in
49 × 31.8 cm
Edition 296/350 + 70AP

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OFFERED BY

Artsy

DAN ZELLER

Neutral Management, 2007
Ink and acrylic on paper
13 1/2 × 11 in
33 × 27.9 cm

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OFFERED BY

Artsy

ABOUT ARTIST

Daniel Zeller’s obsessively layered paintings and drawings exploit the visual and compositional potentials of texture and line. Using only graphite or ink and acrylic paint on paper, Zeller is grounded in traditional media, but his insistence on a limited range of materials encourages him to push their compositional limits.

ABOUT GALLERY

Michel Soskine Inc. was founded in 1984 in New York and in 2005 expanded opening a new gallery space in Madrid, Spain. The gallery specializes in 20th and 21st century art.

DAN ZELLER

Neutral Management, 2007
Ink and acrylic on paper
13 1/2 × 11 in
33 × 27.9 cm

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Artsy

JULIE MEHRETU

The Residual, 2007
Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing
40 3/4 × 50 1/4 in
103.5 × 127.6 cm
Edition of 25

Contact For Price

OFFERED BY

Artsy

ABOUT ARTIST

Julie Mehretu’s work is about layers: the physical layering of images, marks, and mediums, and the figurative layering of time, space, place, and history. Working in a large scale, Mehretu draws on the 21st-century city for inspiration, transferring its energy into her gestural sweeps of paint and built-up marks in ink and pencil—often transposed from projections—and condensing seemingly infinite urban narratives, architectural views, and street plans into single unified compositions.

ABOUT GALLERY

Marlborough Gallery was founded in London in 1946 and is widely recognized as one of the world's leading modern and contemporary art dealers. Marlborough has an international presence with major galleries and offices in Madrid and Barcelona to complement its long established venues in New York and London. Marlborough Graphics publishes editions with both gallery and non-gallery artists in various media such as etching, photogravure, silkscreen and woodcut.

JULIE MEHRETU

The Residual, 2007
Color sugar lift and spit bite aquatints with hard ground etching, drypoint and burnishing
40 3/4 × 50 1/4 in
103.5 × 127.6 cm
Edition of 25

Contact For Price

SHOP

OFFERED BY

Artsy

DONALD SULTAN

Six Aqua Poppies July 3 2004, 2004
Flock, enamel, tar and spackle on tile over masonite
96 × 144 in
243.8 × 365.8 cm

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Artsy

ABOUT ARTIST

Donald Sultan’s large-scale still life paintings are filled with rich iconography—provocative objects, like bulbous fruits, set against a tar-black background. Although primarily classified as a still lifes, Sultan maintains that his works (despite their representational objects—flowers, lemons, eggs, buttons) are first and foremost abstract.

ABOUT GALLERY

Established in 1984, the Serge Sorokko Gallery has built a solid reputation on its fine collection of post-war and contemporary art by internationally recognized artists. Located in the heart of Union Square in downtown San Francisco, the gallery features a range of original work - from painting and sculpture to works on paper and photography.

DONALD SULTAN

Six Aqua Poppies July 3 2004, 2004
Flock, enamel, tar and spackle on tile over masonite
96 × 144 in
243.8 × 365.8 cm

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Artsy

JACKSON POLLOCK

Number 34, 1949
Oil and enamel on white paperboard mounted on Masonite
22 × 30 1/2 in
55.9 × 77.5 cm

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ABOUT ARTIST

Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor.

ABOUT GALLERY

The Kunstmuseum Basel is home to one of the largest and oldest public museum collections in Europe. It possesses works spanning from the early fifteenth century to the present.

JACKSON POLLOCK

Number 34, 1949
Oil and enamel on white paperboard mounted on Masonite
22 × 30 1/2 in
55.9 × 77.5 cm

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Artsy

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